Staff and Faculty

apromines@springfieldballet.org

Ashley Paige Romines began her dance training at age ten in Sevierville, Tennessee, and at age sixteen continued on to pre-professional ballet training at Central Pennsylvania Youth Ballet. She then studied on scholarship at the University of Oklahoma and graduated summa cum laude with a BFA in ballet pedagogy. While in college, she performed with Oklahoma Festival Ballet, and some of her favorite credits include Cygnet in Swan Lake, a witch in James Clouser’s Carmina Burana and in George Balanchine’s Valse Fantaisie. Ashley Paige then performed professionally for three seasons with Northern Ballet Theatre in New Hampshire and for two summer seasons with Burklyn Ballet Theatre in Vermont, with credits including Columbine Doll and Dew Drop Fairy in The Nutcracker, Fairy of the Song Bird in The Sleeping Beauty and "Pas de Trois” in Paquita. While in the northeast, she taught at several ballet schools and received her Pilates mat certification through Power Pilates. During her training and professional career, Ashley Paige had the honor to learn from such inspiring teachers as Marcia Dale Weary, Darla Hoover, Mary Margaret Holt, Donn Edwards, Dennis Marshall, Melinda Howe, Leslie Hench, Laurie Jones, Denise Vale, Jeremy Lindberg, Karyn Edison, and many others.

After her performance career, Ashley Paige focused on her teaching, choreography and ballet administration career. In 2007, Ashley Paige joined Springfield Ballet as the Artistic & School Director, where she spent twelve seasons through 2019. During her tenure and upon her return to the organization in 2021, she has choreographed and staged the annual production of The Nutcracker as well as several original full-length and one-act classical and contemporary ballets, including the productions of The Wizard of Oz, Coppélia, Cinderella, Alice in Wonderland, Beauty & the Beast, and Peter & the Wolf. Additionally, she attended Central Pennsylvania Youth Ballet’s Teacher’s Workshop, with the late Marcia Dale Weary, which was instrumental in her approach and philosophy for training dancers from tots to pre-professionals.

Ashley Paige relocated to Denver with her husband, Frank, in 2019. While there, she was on faculty for all levels and did private coaching at Littleton Ballet Academy, served on faculty at Colorado Ballet Academy, working mainly with the pre-professional program, and was on faculty for Colorado Conservatory of Dance. She continues to serve as guest faculty at Littleton Ballet Academy. In 2022, Ashley Paige was honored to receive the Phoenix Award at the Ozzies, and is delighted to continue with Springfield Ballet as Artistic Director to share her "passion for dance, poise for life”.

alind@springfieldballet.org

While Abigail is administratively focused in her current role at Springfield Ballet her passion for dance and the performing arts is evident in all she does. She has literally grown up through theatre and dance, beginning at a family-oriented dance school in Kansas run by her initial inspiration Beth M. Bell, to her current role in guiding Springfield Ballet so the organization can bring the art of ballet to the community.

Abigail’s dedication to the performing arts, and particularly dance, was kindled through the local support and opportunity to instruct, choreograph, design and most of all dance when Springfield became her new home. She earned a Bachelor of Fine Arts in Dance Performance from Missouri State University as an involved, working dance and movement artist primarily with Ruth Barnes, Sara Brummel, and Darryl K. Clark. During this time Abigail found parallels between real life and the discipline of dance that provided her with a strength that she carries with her to this day.

Continuing to build on this new found strength Abigail gained valuable experience in dance and business administration through studio, collegiate and professional experiences from a list that includes places such as Kansas, New York, South Carolina and Dublin, Ireland. In Dublin at the Dance Theatre of Ireland she gained experience and appreciation for the magnitude of the effect an art and community partnership can have through her work specifically with Olwen Grindley, Robert Connor and Loretta Yurick as this arts organization actively worked through the reality of a recession.

Abigail brings this more than 15 years of experience with various profit and nonprofit organizations managing logistics, marketing and research for these operations both on and off the stage to her position at Springfield Ballet. With this experience, and the art form of dance near and dear to her heart, she hopes to encourage the community to share in her enthusiasm for dance. In her role Abigail plans to use this enthusiasm to be a leading advocate for current and future dance and ballet students and artists, their families, the patrons, supporters and the community, showing them the difference the art form of dance can make in the world for generations to come!

mhall@springfieldballet.org

Maria Hall's early dance training began at Springfield Ballet under the direction of Ashley Paige Romines. She graduated Magna Cum Laude from the University of Missouri-Kansas City with a Bachelor of Fine Arts degree in Ballet, Modern Performance and Choreography. At UMKC, she trained under Paula Weber, Mary Pat Henry, David Justin, DeeAnna Hiett, Gary Abbott, Tobin James and Sabrina Madison-Cannon. During this time, Maria performed works by Alvin Ailey, Gregory Dawson, Peter Anastos, Kameron Saunders and Philip Jerry. She performed with Kansas City Friends of Alvin Ailey and the Alvin Ailey 1st Company in "Memoria.” Maria also performed "Eden” as an apprentice with Wylliams-Henry Contemporary Dance Company. She has trained at summer programs including SummerWind Youth Ballet, Giordano Dance Chicago, The Rock School for Dance Education, Kansas City Ballet and Netherlands Dance Theatre. Maria had the opportunity to travel to Guatemala to perform in the 76th Annual International Choreographers Showcase with dancers from around the world.

After graduation, Maria spent a season dancing with Missouri Contemporary Ballet, where she performed in works by Karen Grundy, Sean Aaron-Carmon, Penny Saunders and Fernando Rodriguez. As an alumna of Springfield Ballet, Maria was honored and excited to return in 2021 to the ballet school that shaped the foundation of her dancing. She has been teaching and choreographingas Associate Artistic Director of Springfield Ballet ever since. She is thrilled to continue sharing all she has learned and help the future stars of the dance world grow and flourish.

outreach@springfieldballet.org

Tami C Franklin began ballet at Miss Margaret’s in Stillwater, Oklahoma. After Miss Margaret’s retirement, she studied ballet, tap and jazz at Encore! Dance Studios, Inc. Under the mentorship of Linda Twedell, her teaching career began in 1987. Tami was a performing member of the Encore! Dance Company for four years alongside the Stillwater High School Pom Squad for three years. She worked two summers with Universal Dance Association leading and instructing dance camps for high school students across the United States. In 1992 she moved to Pensacola, Florida and spent the next two years teaching ballet, tap, and jazz at Five Flags Dance Academy. Upon returning to Oklahoma in 1994 she founded Steppin’ Out dance studio in Tuttle, a suburb of Oklahoma City. She shared her passion for dance and love of teaching with her students for 14 years (1994-2008). Attending Tremaine’s regional and national dance conventions for over 20 years as a dancer, competitor, and instructor, she trained with artists: Joe Tremaine, Doug Caldwell, Darryl Retter, Laurie Johnson, Benji Schwimmer, Desiree Robbins, and Keri Lagrand. She has choreographed numerous works in ballet, pointe, tap, jazz, lyrical, and pom for the classroom and stage. Tami also loves to country two-step! She has danced, competed and instructed partner dances including country two-step, shuffle, waltz, nightclub two-step, west-coast swing, salsa, cha-cha, east coast swing, and shag. In 2016, Tami began annual trips to Port-de-Paix, Haiti where she teaches dance and works with children at Sonlight Academy. In 2017, she founded The Brave Butterfly, a non-profit organization whose mission is to empower all people through leadership, ethics, and the Arts. Tami’s pursuit of higher education gained her a BA in Anthropology (May 2016) and a Masters of Professional Studies in Global Philanthropy (December 2017) from Missouri State University. Tami not only loves to dance, but she also loves people! With over 30 years of teaching experience and her anthropological perspective toward philanthropy, Tami is enthusiastic to be part of Springfield Ballet.

ewalley@springfieldballet.org

Emily Walley has been dancing since age three and has been passing on her passion for dance through teaching at Springfield Ballet since 2019. She has a Master's and Bachelor’s degree in Elementary Education as well as a certificate in Gifted & Talented Education from Missouri State University. Emily completed her student teaching at Springfield Little Theatre’s Fine & Performing Arts Academy. Emily began her dance training at Sonshine Performing Arts Academy from 2003-2005. She then danced at Ozark Dance Academy under the instruction of Julia Bubalo from 2005-2015. Emily made her debut performance in a Springfield Ballet production when she played a Party Scene Boy in The Nutcracker (2013). She fell in love with the art of ballet and the core values of commitment, professionalism, knowledge, respect, excellence, confidence, and discipline that Springfield Ballet instilled in her. Since then, Emily has appeared in many SB productions. Some of her favorite roles include Snowflake and Flower in The Nutcracker, Teardrop and Tiger Lily in Alice in Wonderland (2017), and Rose in A Tale of Two Wolves. Emily was a merit based work-study scholarship recipient during her senior year of high school where she had the opportunity to assist ballet classes. In the fall of 2018, Emily became an instructor apprentice under the guidance Artistic Director, Ashley Paige Romines. Emily now teaches Dance with Me beginning classes through Ballet 5A level classes and tap at Springfield Ballet. She also teaches for Springfield Ballet’s outreach programs Dance Chance and Star Steps. Emily also worked as Assistant Office Manager, Production Assistant, Costume Coordinator, and Rehearsal Assistant at Springfield Ballet. She is extremely grateful for Springfield Ballet’s continuous impact on her life and the opportunities she has received through this organization.

Alexandra Olson began dancing at the age of two. In 2011 she started her training at Springfield Ballet where she was on scholarship for six years. Alexandra appeared in numerous productions of Springfield Ballet’s, The Nutcracker, some of her favorite roles being Snow Queen and the Dew Drop Fairy. She also performed in many spring productions, most notably appearing as Cinderella in, Cinderella, and Beauty in, Beauty and the Beast. Alexandra attended many of Springfield Ballet’s summer intensives, but she also attended Indiana University Ballet’s summer intensive in 2018, and Kansas City Ballet’s summer intensive in 2019 on merit scholarship. She participated in many years of Springfield Ballet’s Young Choreographers Showcase taking on various roles including, choreographer, performer, and house manager. Alexandra is currently a student at Missouri State University as a Creative Writing major. She hopes to one day have a published book series. She is so thankful for the opportunity to teach at Springfield Ballet, her second home!

Alexis Smith began dancing at the age of three in her hometown of Parsons, Kansas, at PRC Dance Studio. She performed in many of her studio’s recitals and was on the competition team as well. Throughout high school, she was greatly involved in her high school’s theatre program performing in all of their plays and musicals. Because of this, she had the opportunity to perform on the mainstage at the 2019 International Thespian Festival in Lincoln, Nebraska. Coming from a small town, she is thankful to be immersed in the arts here in Springfield. Alexis is currently a student at Missouri State University getting a Bachelor of Fine Arts degree in dance, while also minoring in psychology. She has been able to perform in the Fall and Spring Dance Concerts in her time at MSU. She performed at the 2022 American College Dance Association conference as well. Alexis enjoys all things music, singing, and dance. She is so grateful for the experiences and opportunities she has had thus far and is even more grateful to continue to be surrounded by such amazing people here at Springfield Ballet!

Hattie began dancing at age five in Colorado Springs where she performed in two productions of The Nutcracker with the San Diego Ballet. She began dancing at Springfield Ballet in 2010, where she was a scholarship student for seven years and performed in numerous productions of The Nutcracker. She was also seen in many Spring productions including, Beauty and the Beast, A Tale of Two Wolves, Alice in Wonderland (2013 and 2017), Peter Rabbit and Other Tales by Beatrix Potter, Snow White, Cinderella, and Mother Goose. Hattie has attended many of Springfield Ballet’s past summer intensives, as well as Missouri Contemporary Ballet’s summer intensive. Hattie participated in Springfield Ballet’s Young Choreographer Showcase from the very first year in 2013 until her senior year in 2018 as a dancer, choreographer, as well as the Stage Manager in 2015. Hattie is currently attending Missouri State University for her BFA in Dance, as well as Minoring in American Sign Language at Ozark Technical Community College. She is the Co-Fundraising Director with Missouri State Dance Company and successfully directed a performance and is working on more for the future! Hattie is thrilled to have been a faculty member with Springfield Ballet for the past two years, and looks forward to many more!

Jamie Williams, a Springfield, Illinois native, was a member of the Springfield Ballet Company in Illinois for five years. During her time there, she danced roles in Swan Lake, Cinderella, The Sleeping Beauty, and many productions of The Nutcracker. Jamie then moved to Springfield, Missouri, and graduated from Missouri State University where she majored in biology and minored in dance. Jamie now works as an Education Specialist at Dickerson Park Zoo and enjoys dancing with Springfield Dance Alliance. She has been seen as Mrs. Stahlbaum in Springfield Ballet’s The Nutcracker as well as the Stepmother in Cinderella, The Queen of Hearts in Alice in Wonderland (2013) and The Evil Queen in Snow White. Jamie is thrilled to teach as a Springfield Ballet faculty member, as well as sew costumes for productions.

Joshua Velazquez began his dance training at Midwest Regional Ballet in Joplin, MO under the direction of Kaye Lewis. He continued his training under the direction of Paula Weber, David Justin, Ronald Tice, Gary Abbott, DeeAnna Hiett, and Tobin James at the University of Missouri-Kansas City. He performed professionally with Störling Dance Theatre, Missouri Contemporary Ballet, Andalusia Ballet, American Youth Ballet, Modern Night at the Folly, and Kansas City Friends of Alvin Ailey, as well as performed for the Harlem Globetrotters halftime show. Joshua is very excited to be sharing his knowledge with the talented dancers at Springfield Ballet.

Nadia started her dance training at Ozark Dance Academy under Julia Bubalo where she was additionally involved in community outreach and performance opportunities. In high school, she joined Springfield Ballet for several seasons of The Nutcracker. After high school Nadia attended Missouri State University where she graduated in 2019 with a BFA in Dance. Post graduation she toured in early 2020 with The Thorn National Tour, joined MADCO in St. Louis for their 2020-2021 season, and performed at Dolly Parton’s Stampede as a horse rider and aerialist. Nadia now works at King’s Castle Theater in Branson dancing in several shows. Additionally, Nadia has been involved with Springfield Dance Alliance and has had the privilege of choreographing and performing with the organization. In her free time, you will also find her collaborating with friends and creating new works! Nadia hopes to spark joy in her teaching and inspire younger dancers to chase after their dreams.

Richard F. Nebel, II is a proud Springfield Ballet Alumni. He completed his classical ballet training with the late John Magnus, dancing with the Portland Festival Ballet. With Mr. Magnus, he had the opportunity to work on both classical roles as well as original contemporary works. When opportunity called he followed to New York City, where he has been able to build a career in ballet and theatre. He returned to Springfield to complete his BFA in Musical Theatre at Missouri State University (Go Bears!), graduating in 2020.   Pilates developed as a natural interest from his ballet technique-balance, power, and focus. He is also a Comprehensive Certified Pilates instructor at The BodySmith Pilates Studio. Richard is so grateful for and inspired by his return to Springfield Ballet- excited to perform and learn right alongside our dancers both in the studio and onstage.  Before you ask, he's 6'7".  Tall men dance, too!

Brandi Houck is a native of Springfield, Missouri. She started dancing at age four and studied for numerous years at Springfield Ballet. During the summers, she attended intensives at State Ballet of Missouri (now Kansas City Ballet), Virginia School of the Arts, Alabama Dance Theatre, Joffrey (on scholarship) and Milwaukee Ballet (full scholarship). She went on to attend the University of Missouri – Kansas City on scholarship and received her BFA in Dance. While in college, she returned to Springfield Ballet as the guest artist Sugar Plum Fairy two years. The highlight of her professional career was with the Albany Berkshire Ballet as a principal dancer for a winter and two summer seasons. She danced roles of Sugar Plum Fairy, Snow Queen, and the Dew Drop Fairy in The Nutcracker as well as lead roles such as the girl in white in Carmina Burana, Emily in Our Town, pig tail girl in Graduation Ball, gypsy in Petrouchka, and the trio in Red Ellington. Brandi also performed with Kansas City Ballet as a freelance artist in the corps de ballet in the productions of Carmina Burana, Swan Lake and Serenade. Additionally, she choreographed A Midsummer Night’s Dream for the Missouri Repertory Theater along with several other pieces and has taught both ballet and modern to various ages and levels and at several different schools. Brandi currently works as a Healthcare IT Epic Radiant Consultant for a health system in Champaign, Illinois.

Miss Emily Ricca started dancing at the age of eleven in Springfield, Missouri. She was awarded a scholarship to go to the school of Springfield Ballet where after only six months began training en pointe.  It was a fast track to become a ballerina ever since.

She was enrolled at thirteen as a special student to take advanced ballet classes at Missouri State University and soon out grew that. Miss Ricca studied and trained with Jillana, Patricia Renzetti, Maria Tallchief, Kiera Nichols, Arthur Mitchell and Edward Villella. She went to classical ballet boarding school under the direction of Petrus Bosmon of The Royal Ballet of London and is a currently a freelance ballerina.

Miss Ricca has danced professionally for Ballet de San Juan, Florida Dance Theatre, Boca Ballet Theatre, Miami City Ballet’s Advanced School division, the Cuban Classical Ballet of Miami, as well as a guest ballerina in Paris, France, where she worked with the legendary Michael Denard of the Paris Opera Ballet.  Miss Ricca has performed excerpts from Swan Lake, Giselle, and Raymonda, and has presented The Romance Project – an informative educational program, engaging live music and dance performance for all ages. She also had the opportunity to appear as the prima ballerina for Joyce Stahl’s lavish production of The Nutcracker in Key West.  Recently, Miss Ricca has been a principal guest artist for Florida Arts Company, Ashanti Cultural Arts, and the Dance Collective associated with the African Heritage Cultural Arts Center, where she looks forward to setting an original ballet of hers there.

Miss Ricca has taught for the Miami City Ballet, The Marais in Paris, France, as well as at the African Heritage Cultural Arts Center where she has been a resident artist.  This past November, she produced, choreographed & starred in Emily Ricca Dance Through Time at Sandrell Rivers Theatre, a program designed for solo artists during Covid, which has taken off in different formats for different institutions across the country, including Missouri and Florida. Looking ahead, she will be a guest artist for Freddie De Jesus’ Dance Company in Lakeland, Florida where she will present her choreography as well as dance the White Swan pas de deux from Swan Lake.  Emily Ricca is pleased to return to her home town and share her love of ballet with Springfield Ballet students.

Sara Brummel earned a Bachelor of Arts Degree in Anthropology from the University of Colorado at Denver and holds a Master of Fine Arts Degree in Theatre with a Dance Emphasis from the University of Arizona. Dance training includes the North Carolina School of the Arts, the Pennsylvania Ballet, and studies with Juan Antonio, Takako Asakawa, Peggy Baker, Jerry Bywaters Cochran, Robert Cohen, Blondell Cummings, Lynn Dalley, Margaret Jenkins, the Louis/Nikolais Dance Theatre Lab, Bill Evans, Gary Masters, David Moroni, Nadine Ravine, George Skibine, Marjorie Tallchief, and David Hatch Walker. Performing experience encompasses a number of ballet and modern dance companies, including the Pennsylvania Ballet, New England Dinosaur, Dance Company of Ontario, and Contemporary Dancers of Winnipeg. As a professional dancer, Ms. Brummel appeared in works choreographed by Toby Armour, Malenko Banovitch, Anna Blewchamp, Rachel Browne, James Clouser, David Earle, Martha Armstrong Gray, Rodney Griffin, Ina Hahn, Janet Justice, Earl Kraul, Rozann Kraus, Judith Marcuse, Fred Mathews, Norman Morrice, Sophie Maslow, Linda Rabin, Cleo Parker Robinson, Lois Smith, Beth Soll, Lynne Taylor-Corbett, Norbert Vesak, and James Waring. As a teacher, Ms. Brummel’s credits include the Cambridge School of Ballet, Cambridge School of Weston, Colorado Ballet, Crested Butte Summer Dance Workshop, Dance Circle of Boston, Loretto Heights College, the Missouri Fine Arts Academy, Montezuma/Cortez High School, SEEK Summer Enrichment Program, American College Dance Festival, Springfield Ballet, the University of Denver, workshops in São Paulo, Brazil, and presentations at the Congreso de Pedagogia de Danze in Bogotá, Colombia. Sara Brummel is an ABT® Certified Teacher, who has successfully completed the American Ballet Theatre® Teacher Training Intensive in Primary through Level 7 and Partnering of the ABT® National Training Curriculum. Ms. Brummel’s choreography has been presented in Bogotá, Seattle, Chicago, Albuquerque, St. Louis, Wichita, and Springfield. She is currently an Associate Professor in the Theatre and Dance Department at Missouri State University in Springfield, Missouri; a member of the World Dance Alliance, National Dance Education Organization, and Springfield Dance Alliance.

Simpson’s training covers a broad range of dance techniques including classical ballet, modern, and improvisation. She holds an M.S. in Administrative Studies with a focus in Arts Management (2015) and a B.F.A. in dance performance (2008) from Missouri State University. Teresa also holds an International Teaching Diploma from the North American Montessori Center (2010) and has trained in Visual Thinking Strategies (2015). Teresa has toured with Missouri State University’s community outreach dance company, Inertia performing in works by Sara Brummel, Rhythm McCarthy, Ruth Barnes, Shirley Russon Ririe, and Rebecca Enghauser; and has presented choreography at the American College Dance Festival. She began her pre-professional dance training with the St. Louis Ballet School, performing in the company's production of *The Nutcracker* and participating in student workshops. Teresa created and implemented a performing arts after school program at the Academy of Performing Arts in Nashville, TN, designed an after-school program curriculum for Missouri State University’s Citizenship and Service Learning office, taught movement and theatre games at the Rivendale Institute of Learning, and worked alongside Springfield theatre artists to create a one-act play accessible for children with autism. Teresa is a co-founder of Springfield Dance Alliance and produces Listen.Think.Leap! A Creative Movement Podcast. She has served as per course dance faculty at Missouri State University, worked as a teaching artist with Placeworks Arts Outreach and been a part of AATE’s Missouri Theatre in Our Schools committee. She is an avid reader and enjoys spending time with her husband Matthew and sons Daniel and Arthur. Teresa is honored to be a part of the Springfield Ballet faculty.